Best For
History enthusiasts interested in the 1989 Romanian Revolution.
The 'Reaching hand' Monument, also known as 'The sign of the hero,' is a commemorative sculpture located in Bucharest's Sector 2. Erected in 2019, it honors the individuals who participated in the December 1989 Revolution. The monument is situated at the historic starting point where revolutionaries began their march toward University Square. Designed by sculptor Adrian Pârvu, the piece features a symbolic hand and cross ensemble. While it holds deep historical significance, the monument's architectural style has sparked debate, with some visitors finding it a fitting tribute and others critiquing its aesthetic integration with the surrounding urban landscape.
The 'Reaching hand' Monument, also known as 'The sign of the hero,' is a commemorative sculpture located in Bucharest's Sector 2. Erected in 2019, it honors the individuals who participated in the December 1989 Revolution. The monument is situated at the historic starting point where revolutionaries began their march toward University Square. Designed by sculptor Adrian Pârvu, the piece features a symbolic hand and cross ensemble. While it holds deep historical significance, the monument's architectural style has sparked debate, with some visitors finding it a fitting tribute and others critiquing its aesthetic integration with the surrounding urban landscape.
Commemorates the heroes of the 1989 Romanian Revolution.
Marks the starting point of the historic march to University Square.
Features the 'Sign of the Hero' sculpture by Adrian Pârvu.
Located in an area with significant communist-era architectural context.
History enthusiasts interested in the 1989 Romanian Revolution.
Locals, Tourists
The 'Reaching hand' Monument in Bucharest evokes mixed reactions, serving as a solemn yet controversial tribute to the 1989 Revolution. Some visitors value the site for its historical weight, marking the spot where revolutionaries began their march toward University Square. However, the monument's aesthetic is a point of contention, with some critics describing the 'cross and hand' design as outdated or 'communist' in style. There are conflicting reports regarding on-site information; while one reviewer identifies a detailed plaque by sculptor Adrian Pârvu, another claims there is no inscription at all. This perceived lack of clear storytelling led one visitor to remark that the monument fails to communicate its purpose effectively. Overall, it is viewed more as a historical marker than a traditional tourist attraction, appealing mostly to those interested in Romania's modern history.